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uastis:

fuking-homestuck:

j-z-millier:

louxisalhama:

spaceisforlovers:

jethroq:

danadelions:

ja ja ja ja ja
a spanish person laughing or a german person during sex???

you decide

Finnish person struggling to remember what they were about to say next

polish person trying to get themself noticed

portuguese person trying to hush other people

Chinese person trying to do calculations

swedish person wanting to get out of a conversation

Dutch person sarcastically agreeing with you.

(via losemycool)

nubbsgalore:

the timid european ground squirrel, stopping to smell the daisies, photographed in vienna by julian rad, who explains, “you have to be at eye level with the squirrels. that means you have to lay on your stomach for quite a few hours in order to get them in front of your lens. you have to make yourself invisible. it is important that they have no indication you are there.” (see also: more precious lil woodland buddies)

(via the-music-mixer)

danielnyariillustrations:

Demon(s)

My contribution to Hero Complex Gallery's 20th Anniversary Hellboy show Friday May 2nd in Los Angeles, California. It's an honor for me to be chosen to display for this show as Hellboy was my favorite comic growing up and a huge influence on my work.

Below are process shots divided into five steps I generally follow with every piece I do. 

Step 1: I divide the page into subdivisions based loosely on Andrew Loomis’ “informal subdivisions” in which you divide the space unevenly allowing you to visualize compositions more creatively. This is purely a creative endeavor and not a mechanic one. The tweaks I made to the process drastically reduce the numbers of angles possible which is inherently limiting but I usually function best when there are less choices and it forces me to come up with more creative solutions.

Step 2: Look for the composition. This is where the divisions help. If you have an idea in mind an image starts to form. I had a general idea in mind here. I love two things specifically about the Hellboy series. One; its unbelievable cast of monsters and demons and the idea of its protagonist constantly struggling against hordes of them, larger than life. I knew I wanted to depict that somehow. Secondly, I love Mike Mignola’s compositions. A favorite trick of mine and one that works since the dawn of time; from classical paintings to comics is the vertical placement of a figure against a blank background and a secondary compositional element that runs diagonally behind the primary vertical element. Look at Mignola’s covers. You will usually find this formula and a variation of it in almost every single one. So the idea became Hellboy on the bottom of the frame “topped” by a cast of demons and monsters.

Step 3: Once I visualized and finished the sketch, I brought it into Adobe Illustrator where I began building the illustration. I say building because I don’t consider it drawing any longer. It’s more about moving and dragging shapes and broken up shapes around sticking as closely to the original grid as possible.

Step 4: I rarely ever have a color scheme in mind so when I transition from outlines to shapes, I usually work in grayscale that allows me to build the values I will follow with the colors. Since I only work with flat shapes, this is usually tricky as I need to be careful about creating contrast everywhere without much of the color feeling too flat or not coherent to the image I want to build.

Step 5: For this piece I wanted to stay relatively true to the Hellboy color schemes Mignola uses. A bright red to make Hellboy stand out from the rest of the characters on the same page. I rarely work with such a dark palette so this was fairly new to me. Essentially three weights of color here. The warm grays of the demons, the yellow accents and the red of Hellboy. Finally I usually bring the final piece into Photoshop if I need to add adjustment layers tweaking hues and contrast.

Final also shown with original grid.

(via amongrunaways)

daydrawings:

GECKO BROS. get a print here!

daydrawings:

GECKO BROS. get a print here!

We live in a society that’s sexist in ways it doesn’t understand. One of the consequences is that men are extremely sensitive to being criticized by women. I think it threatens them in a very primal way, and male privilege makes them feel free to lash out.

This is why women are socialized to carefully dance around these issues, disagreeing with men in an extremely gentle manner. Not because women are nicer creatures than men. But because our very survival can depend on it.

No skin thick enough: The daily harassment of women in the game industry

The whole article sadly hits very close to home.

(via rosalarian)

(via calgreenery)

"Single Ladies" - On The Run Tour

(via calgreenery)

aishaalshabrawy:

Sultan Hassan, the most beautiful mosque in Egypt.
A real architectural masterpiece

(via daughtryeland)

beatonna:

Two days in a car and my Grand Uncle, Grand Aunt, cousin and myself made it to Cape Breton.

livertaker:

remake of a comic from a year ago about a little ghost that comes out of a kid’s body to explore! i really just wanted to make something simple and nice ╲ʕ·ᴥ· ╲ʔ

(via ceepackrun)

annaxin:

summer weather

annaxin:

summer weather

(via daughtryeland)

(via emmyc)

andrewarcher:

wip for goodfuelco ~

More wip on instagram @andrewtarcher

sh8-bit-angora:

needthisbook:

Ten Major Artists:

Wong Wong & Lulu

Pepper examining himself before commencing a self-portrait

Pepper’s self-portrait

Tiger the spontaneous reductionist

Misty goes off the wall

Minnie, the abstract expressionist

Minnie’s Reindeer in Provence, 1992.

Smokey painting after an hour in the catnip patch

Smokey at work

Ginger’s Stripped Bare Birds, 1992.

Princess, the elemental fragmentist

Charlie, the peripheral realist

this literally makes me so happy

sh8-bit-angora:

needthisbook:

Ten Major Artists:

Wong Wong & Lu Lu

Wong Wong & Lulu

Pepper gazing into the mirror before a self-portrait

Pepper examining himself before commencing a self-portrait

Pepper painting his self-portrait

Pepper’s self-portrait

Tiger

Tiger the spontaneous reductionist

Misty in action

Misty goes off the wall

Minnie: abstract expressionist

Minnie, the abstract expressionist

Minnies finished work

Minnie’s Reindeer in Provence, 1992.

Smokey contemplating

Smokey painting after an hour in the catnip patch

Smokey painting after an hour in the catnip patch

Smokey at work

Ginger's 'Stripped Bare Birds', 1992.

Ginger’s Stripped Bare Birds, 1992.

Princess' 'Regularly Ridiculed Rodents', 1993.

Princess, the elemental fragmentist

Charlie the peripheral realist

Charlie, the peripheral realist

this literally makes me so happy

(via the-slow)

creative-munchies:

Favourite work of the week, amazing food photography with a space narrative twist!

Endless Books: 8 Weeks
- Dina Belenko

(via lesroisdumonde)

thehufflepuffwholeaptthroughtime:

holmesfan:

tin-pan-ali:

area 51 is just the american wizarding school

aliens is a perfect cover story

hOLY SHIT

 (via thestarlesswanderer)

(via lesroisdumonde)

THEME BY PARTI